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<!--Generated by Squarespace V5 Site Server v5.13.166 (http://www.squarespace.com) on Wed, 19 Jun 2013 16:04:19 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Blog</title><subtitle>Blog</subtitle><id>http://www.jazzshaped.com/blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.jazzshaped.com/blog/"/><link rel="self" type="application/atom+xml" href="http://www.jazzshaped.com/blog/atom.xml"/><updated>2013-06-18T23:56:43Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.166 (http://www.squarespace.com)">Squarespace</generator><entry><title>Competition: Win A Signed Copy Of The New Kairos 4tet Album</title><id>http://www.jazzshaped.com/blog/2013/6/12/competition-win-a-signed-copy-of-the-new-kairos-4tet-album.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/6/12/competition-win-a-signed-copy-of-the-new-kairos-4tet-album.html"/><author><name>Josh Jennings</name></author><published>2013-06-12T18:47:23Z</published><updated>2013-06-12T18:47:23Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/P1060181.JPG?__SQUARESPACE_CACHEVERSION=1371075624205" alt="" /></span><span class="thumbnail-caption" style="width: 600px;">Looking shiny... and winnable</span></span></p>
<p>Released this week to immediate critical acclaim, the hotly anticipated new record from MOBO award winners 'Kairos 4tet' has taken the jazz circuit by storm. With their infectious blend of haunting melodies and folk-tinged compositions the band are certainly back with a bang, and the ensemble's third studio album 'Everything We Hold' has already seen front man Adam Waldmann appear on the cover of <em>Jazzwise</em> and the record notch up a glowing 4 star review in MOJO Magazine.</p>
<p>I was lucky enough to head down to the official album launch on June 8th and got the boys to sign a CD which I'm offering to one reader in return for a simple recommendation:</p>
<p>As I'll be in Oslo this weekend covering the last day of the <a href="http://www.matchandfuse.co.uk/festival/oslo-2013/">Match &amp; Fuse Festival</a> and there is a good chance that I'll find myself with at least an hour or two to spare... Whoever sends me the coolest recommendation of something to do in Oslo (for a maximum of two hours) will get the CD. If you've never been to Norway, as I haven't, just be creative!</p>
<p>Tweet your entries to <a href="https://twitter.com/jazzshaped">@jazzshaped</a></p>
<p><span>Entries close at 11:59PM on Monday 17th June.</span></p>
<p><span><strong>EDIT 18/06/13 - Winner update</strong></span></p>
<p><span><strong><span class="full-image-block ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/Screen shot 2013-06-18 at 00.05.25.png?__SQUARESPACE_CACHEVERSION=1371510357342" alt="" /></span></span></strong></span></p>
<p>A worthy victor indeed!</p>]]></content></entry><entry><title>Kyle Eastwood At Ronnie Scotts</title><id>http://www.jazzshaped.com/blog/2013/6/9/kyle-eastwood-at-ronnie-scotts.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/6/9/kyle-eastwood-at-ronnie-scotts.html"/><author><name>Josh Jennings</name></author><published>2013-06-09T12:24:00Z</published><updated>2013-06-09T12:24:00Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/Kyle%20Eastwood.jpg?__SQUARESPACE_CACHEVERSION=1370780918317" alt="" /></span><span class="thumbnail-caption" style="width: 600px;">Kyle Eastwood</span></span></p>
<p>The latter stages of last week, and the subsequent Saturday and Sunday that followed, felt as if I had taken a rare foray into the shoes of an A&amp;R person as opposed to my current role on the circuit as 'New boy blogger'. OK so I wasn't necessarily scouting for talent or attempting to obtain the signature of 'The next big thing' (partly because I don't have my own label) but I had lined up 4 gigs in as many days which is unheard of for me.</p>
<p>The first show in my inadvertently curated London-based festival was Thursday nights performance from American bassist Kyle Eastwood and his band at 'Ronnie Scotts'. This was the first time I'd seen Kyle and I wasn't entirely sure what to expect; the tall blonde figure on stage in the buttoned black shirt looked more <a href="http://www.youtube.com/watch?v=P3CxhBIrBho" target="_blank">Swedish pop star</a> than US jazz export, and the variety of bass instruments propped directly behind him seemed to indicate that whatever was about to happen would remain far from 'samey'.</p>
<p>At 20:30 the band sauntered onto stage, Eastwood flanked by a 'Dream team' of British talent, to kick off what was undeniably one of my favourite performances of the year. The bassist son of Hollywood hero Clint Eastwood (It's true <a href="http://www.google.co.uk/search?client=safari&amp;rls=en&amp;q=clint+eastwood+son&amp;ie=UTF-8&amp;oe=UTF-8&amp;redir_esc=&amp;ei=j5W0UfPTMu_B0gWFpoCQCA" target="_blank">google it</a>) commanded the stage fantastically, lurching over his instrument and directing his musicians with various knowing nods and facial expressions to which they reacted perfectly every time. The variety in Eastwood's compositional style was ever-present, and his ensemble' ripped through an upbeat set consisting largely of music from his latest record <em>The View From Here</em> as well as snippets of the bassists extensive back catalogue.</p>
<p>If ooh's and aah's had been currency on Thursday night, Kyle Eastwood would be a very rich man!</p>
<p><a href="http://kyleeastwood.com/">http://kyleeastwood.com/</a></p>]]></content></entry><entry><title>Check Out My Guest Spot In This Months Jazz UK</title><id>http://www.jazzshaped.com/blog/2013/5/30/check-out-my-guest-spot-in-this-months-jazz-uk.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/30/check-out-my-guest-spot-in-this-months-jazz-uk.html"/><author><name>Josh Jennings</name></author><published>2013-05-29T23:49:11Z</published><updated>2013-05-29T23:49:11Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span><span class="full-image-block ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/GuestspotFinal.png?__SQUARESPACE_CACHEVERSION=1369871442347" alt="" /></span><span class="thumbnail-caption" style="width: 600px;">My Guest Spot In This Months Jazz UK</span></span> </span></p>
<div>Yes you've read correctly, the kind folks over at Jazz Services have allowed me to commit some of my introspections to paper in the latest issue of their bi-monthly publication <em>Jazz UK</em>. The 3 page piece includes a snippet of my interview with Mark from Led Bib, my pick of summer gigs around the UK and album reviews of both World Service Project's <em>Fire In A Pet Shop</em> and Kairos 4tet's <em>Everything</em><em> We Hold</em>,&nbsp;both set to be released in June. I even had room for an brief&nbsp;foray into the self-indulgent with an introductory section that contains information about myself and this blog, or more specifically the rain soaked day in which it was conceived.</div>
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<div>Issue 111 of <em>Jazz UK</em> is available at jazz clubs, pubs and music shops around the country or can be viewed online <a href="http://www.jazzservices.org.uk/index.php/jazz-uk-archive/item/772-issue-111-june-july-2013">here</a>.</div>
<div></div>]]></content></entry><entry><title>The Jazz Man: Keeping The Be-Bop Spirit Alive In A Modern Hip Hop Age</title><id>http://www.jazzshaped.com/blog/2013/5/28/the-jazz-man-keeping-the-be-bop-spirit-alive-in-a-modern-hip.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/28/the-jazz-man-keeping-the-be-bop-spirit-alive-in-a-modern-hip.html"/><author><name>Josh Jennings</name></author><published>2013-05-28T21:33:55Z</published><updated>2013-05-28T21:33:55Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><iframe id="distrify-player-3725" class="distrify-player" width="600" height="392" src="http://www.jazzshaped.com//widgets.distrify.com/widget.html#3725" frameborder="0" scrolling="no" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>As traditional jazz's musical heyday skulks surreptitiously into the past, those still championing the genre appear evermore distanced, even alienated, against the trajectory of popular culture. Of course this is a perfectly natural phenomenon, harbouring fond memories of things that latter generations are too young to appreciate&nbsp;is more or less an inevitable component of old age, but where some fade into the obscure crevices of mainstream society others relent, uncompromising and unwilling to merely abandon hope on the music of their past. Not many people seem to fit the above description more than Newcastle's Keith Crombie, the subject of film maker Abi Lewis' new documentary 'The Jazz Man'.</p>
<p>The film, released October 1st 2013, is a collection of story's from the life of Crombie, a pivotal character in Newcastle's 21st century jazz scene and proprietor of the city's 'Jazz Cafe' until his death in December last year. The documentary shows Keith in the latter stages of his time at the club and chronicles the struggles he faced to keep his dingy, cluttered but most importantly beloved jazz club running in the modern age.</p>
<p>There is something fantastically quirky about the set up of the film, the reluctance to show Keith's face in the trailer gives grounds to his aire of&nbsp;elusivity and the superbly stuffy logline 'Keeping Be-Bop alive in a modern Hip Hop age' which sounds like something conceived by a quintessential traditional jazz fan, both add to the already prominent charm of the film.</p>
<p>I'm looking forward to this one.</p>]]></content></entry><entry><title>3 Days To Go On The 'Led Bib' Kickstarter Campaign!</title><id>http://www.jazzshaped.com/blog/2013/5/21/3-days-to-go-on-the-led-bib-kickstarter-campaign.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/21/3-days-to-go-on-the-led-bib-kickstarter-campaign.html"/><author><name>Josh Jennings</name></author><published>2013-05-21T22:45:50Z</published><updated>2013-05-21T22:45:50Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/Markbib.png?__SQUARESPACE_CACHEVERSION=1369177047508" alt="" /></span></span></p>
<p>With days to go on their quest to raise enough funds to record, produce and promote their 10th anniversary record, I caught up with 'Led Bib's' drummer and founding member Mark Holub to discuss the new album, photo shoots and the band that has shaped the last ten years of his life. (<a href="http://www.kickstarter.com/projects/432642331/led-bib-new-studio-album-and-live-vinyl-release">Support the new record here</a>)</p>
<p><strong>Ten years of Led Bib is a 	fantastic achievement, how do you feel the band has progressed over 	this time?</strong></p>
<p>It's hard to believe that it really has been 10 years....I sort of feel like I am making it up, but as our first gig was on my birthday(!), I am pretty positive it's the truth. For me, the band has progressed loads since it started. I think in some way it's not so audible from record to record, the changes there are maybe smaller....incremental, but if you listen to our first record 'Arboretum' and our latest 'Bring Your Own', they sound pretty far apart. That said though, I do feel from the beginning there was something that was the distinctive sound of band, although that has obviously developed.</p>
<p>I think a lot of the development has been from the other guys in the band. It sort of feels now looking back like, 10 years ago I brought them all a concept of what I wanted to do, and I tried to fit them all into what that concept was. Gradually, I let them be freer to be themselves and they were able to find their own way to fit into that overall concept, which ended up sort of changing the original concept and making it something better! I think having the guys so on board with Led Bib is what makes it special, and means that we can somehow find a link between some members interest in free improv, others in soul or interests in whatever and create a group sound out of it.</p>
<p><strong>You've attempted to fund your new album via a Kick-starter 	campaign, something that has increased in popularity as the 	'standard' music industry model is remoulded. Why did you feel that 	this was the best way to go about acquiring the necessary financial 	support as apposed to a more traditional self or label funded 	excursion?</strong></p>
<p>I think Kickstarter and the other similar sites are doing something really interesting, particularly for jazz. Most bands producing this kind of music aren't really making any money out of recording, it's about documenting a certain time in the band's history, but also about having something to tour on the back of.</p>
<p>So, it's an interesting way to fund something which is an important thing to do, but essentially is not much of, or not at all an earner. But, more importantly I think, it's a new way to relate to fans of the music, instead of just offering them a concert and a CD you are offering them a piece of yourself or a window into the way your work, and they are offering up their support for something which is yet to be created which makes it a closer relationship and is a nice way to interact with fans of the music.</p>
<p><strong>What can we expect from the new 	record?</strong></p>
<p>Well, with so much improvising, it's sort of hard to say obviously....but, we have been touring a lot of the new material for awhile now, so anyone who has seen us in the last year or so will have an idea of what the new stuff sounds like. This album will also be the first album to have a track by Liran on it!</p>
<p>It's hard to say exactly when you are deep into actually making something, but I think recently our music has had more of a searching quality, less darting from thing to thing as it sometimes has in the past, but what may end up on the record is yet to be seen!</p>
<p><strong>The prospect of a limited edition 	vinyl to be released alongside the album sounds fantastic for fans! 	Can you tell us any more about your plans for that? Numbers you're 	planning on producing, what it will involve etc?</strong></p>
<p>The live vinyl was sort of recorded by chance. We were playing a short residency at the Vortex Club in February and the soundman on hand was recording the opening band and said he would be happy to also record the Led Bib set. We really enjoyed playing the gig and were really pleased when we listening back to the recording. So, we thought....we need to do something with this, which is actually when the idea of the kickstarter and everything was born! We actually aren't 100% positive which tracks will make it on the album as we like quite a few of them, and we haven't mixed anything, but it's likely to be 4 tracks I think(they are pretty long).</p>
<p>As for numbers of actual records, I think we will make 500, and they will all come with a download code, where you can download lossless formats as well as mp3 and things. People have been asking us about making a vinyl for years, and we are really excited to finally be doing it.</p>
<p><strong>And finally... any plans for a 	quintessentially quirky Led Bib photo shoot to accompany the album? 	(I'm pretty sure this would drive pledges)</strong></p>
<p>Not really yet. I had thought about possibly a fishing trip theme, but I think it may end up difficult to do logistically. Often I come up with some idea for the pictures and then am met with the reality of actually trying to do it and it turns our quite different. I mean, with the last one I wanted to do a British colonial thing in the desert, with a whole tea service, but it obviously was difficult to find a desert in Walthamstow, and I knew a friend who had a bear costume, so we sort of went with that....we will see.</p>
<p><strong>Mark also wished to add...</strong></p>
<p>While we obviously have been going for 10 years because we love making music together, it's really the fact that there are people to listen to us that makes it all worthwhile. Doing strings of gigs for little money can become a bit disheartening, but it only takes one gig with a nice audience and someone saying, hey your music is really special, to make you realise what you do it for. So, I want to thank all the people who have supported us over these 10 years, be that by coming to our gigs, buying our albums or by being our wives/girlfriends and have to put up with us moaning about each other, constantly doing inside jokes and generally being nuisances. We hope to see all of you out on the road in 2014!</p>]]></content></entry><entry><title>The 21st Century RadioHead's Giving Jazz A Voice On Mainstream Airwaves</title><id>http://www.jazzshaped.com/blog/2013/5/14/the-21st-century-radioheads-giving-jazz-a-voice-on-mainstrea.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/14/the-21st-century-radioheads-giving-jazz-a-voice-on-mainstrea.html"/><author><name>Josh Jennings</name></author><published>2013-05-13T23:58:22Z</published><updated>2013-05-13T23:58:22Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-inline ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/Cerys.png?__SQUARESPACE_CACHEVERSION=1368570991520" alt="" /></span></span><span class="full-image-inline ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/Gilles.png?__SQUARESPACE_CACHEVERSION=1368571004336" alt="" /></span></span></p>
<p><span class="full-image-inline ssNonEditable"><span>&nbsp;</span></span>BBC&nbsp;6 Music is one of those media outlets that I could not live without; a champion of&nbsp;independent music and a bastion for the elements of popular culture that I relate to, it's&nbsp;schedule is full of absorbing&nbsp;voices with interesting anecdotes discussing the songs of our time. For those who have never listened, perhaps my favourite element of the station's character is it's inherent ethic that music is to be talked about with interest and intrigue, rather than as a trend based commodity that merely reflects current&nbsp;consumer interest.&nbsp;It is no surprise then that jazz finds it's place amongst the masses at this most eclectic of establishments, in fact genre-specific shows or specialist features can often feature jazz in some capacity, but it is the DJ's that incorporate the genre amongst more commercially viable or on trend 21st century sounds that I find most important.</p>
<p>So being sure to tiptoe carefully along the edge of that teeth grinding chasm of sycophancy which, lets face it, none of us want me to slip into, I've picked out my favourite 2 shows from the stations schedule based on their stances on jazz and what they bring to the genre:</p>
<p><strong><a href="http://www.bbc.co.uk/programmes/b01fm4ss">Gilles Peterson - Saturday @ 15:00</a></strong></p>
<p>With Gilles Peterson's 6 Music show music discovery is not just an added incentive... it's a guaranteed byproduct. The ex radio one presenter and label owner is an endless source of the latest and most exciting sounds from the circuit, blending them expertly amongst a cacophony of other styles and sounds. This show is, for me, a driving force in consolidating a sense of identity within the contemporary UK jazz scene, all the front-runners get played; 'Portico Quartet', 'Melt Yourself Down', Matthew Halsall... I could go on. &nbsp;</p>
<p><strong><a href="http://www.bbc.co.uk/programmes/b00llg30">Cerys Matthews - Sunday @ 10:00</a></strong></p>
<p>The 2013 Sony Gold winner is less likely to drop a contorted contemporary excursion, and at 10am on a Sunday morning she probably wouldn't have a job if she did, but what her show lacks in cutting edge jazz it more than rectifies in solid song choices. Matthews seems just as at home with a grainy blues track from Big Bill Broozy as she is with an upbeat offering from Senegalese ensemble 'Orchestra Baobob'. Cerys' show also offers a great window for musical discovery, more likely a gem from the past that has evaded you.</p>]]></content></entry><entry><title>The Folk Inspired New Excursion From Kairos 4tet Featuring Omar</title><id>http://www.jazzshaped.com/blog/2013/5/12/the-folk-inspired-new-excursion-from-kairos-4tet-featuring-o.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/12/the-folk-inspired-new-excursion-from-kairos-4tet-featuring-o.html"/><author><name>Josh Jennings</name></author><published>2013-05-12T17:46:41Z</published><updated>2013-05-12T17:46:41Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><iframe width="600" height="315" src="http://www.youtube.com/embed/uFcAPYjyZEI" frameborder="0" allowfullscreen></iframe></p>
<p>Throughout their existence Adam Waldmann's Kairos 4tet have cemented their place as one of the front runners in an emerging wave of young British jazz talent. Having received an impressive selection of accolades across two albums, including a 2011 MOBO Award for 'Best Jazz Artist' and a number 2 spot in MOJO Magazine's 'Jazz Abums Of The Year', it is safe to say that the ensemble's characteristically melodic style has proven popular amongst fans of the genre.</p>
<p>2013 sees the band return to the circuit with their recently released track <em>Songs For The Open Road</em>, which features as part of an announcement detailing live dates as well as an upcoming album. The song<em>&nbsp;</em>is a gentle, folk-esque excursion and blends the voices of prominent soul star Omar and London based jazz singer Emilia Martensson&nbsp;over an unmistakably 'Kairos' backing. There are strong suggestions throughout that the new album may signal a noticeable progression in the bands sound; compositionally mature jazz with traces of British folk and soul interspersed...definitely one to look forward to!</p>
<p>The New record&nbsp;<em>Everything We Hold</em>&nbsp;will be released on Naim Jazz on the 10th June.</p>
<p><a href="http://www.kairos4tet.com/kairos4tetcom.cfm">http://www.kairos4tet.com</a></p>]]></content></entry><entry><title>Alice Russell: 21st Century Soul</title><id>http://www.jazzshaped.com/blog/2013/5/8/alice-russell-21st-century-soul.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/8/alice-russell-21st-century-soul.html"/><author><name>Josh Jennings</name></author><published>2013-05-08T12:44:14Z</published><updated>2013-05-08T12:44:14Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><iframe src="http://player.vimeo.com/video/64764463" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>&nbsp;</p>
<p>The stylistic development of music over time is a strange phenomenon; as public trends and tastes change generationally it is safe to speculate that there will always be hunger for new musical movements as previous vogues, linked to past years, fade. This most 'Black and white' form of development is fine for the 1% of pioneers that get the opportunity to spearhead a new musical subculture (punk, dubstep, synth-pop) but what about the other 99% of musicians who's influences are reflected in their work more transparently? In fact, could it not be reasonably assumed that the toughest form of musical innovation is the task of modernising music from a bygone era in an attempt to make it relatable for an entirely new generation... To an older demographic you run the risk of never living up to 'The greats' and to any younger element of society your sound could instantly be deemed 'Out of date'. Even more daunting, providing you agree with me so far, is the fact that the more historically significant the genre you are trying to modernise, the harder the task. Therefore, last week when I heard the latest record from UK soul vocalist Alice Russell, a record of new British soul, I was instantly intrigued.</p>
<p><em>To Dust</em>&nbsp;is the singer's fourth studio release and sees her meander stylishly through a series of well crafted 21st century-soul bangers! With song writing stylistically reminiscent of the 1960's and a polarising production ethic as fresh as anything you're likely to hear in the top 40, <em>To Dust</em>&nbsp;brings with it a&nbsp;real sense of revitalisation for British soul. Russell's involvement in modern remix culture is conveyed smartly through the use of rigidly processed samples,<em>&nbsp;</em>whilst her inherent penchant for a 'distilled' classic song means that the record is full of powerful melodies and strong musicianship. Perhaps the thing that I like most about this album is it's sense of authenticity, it's unique approach to a classic genre defines it as a body of work which doesn't just attempt to breathe new life into an old style... it carves out a new direction for British soul.</p>
<p>Check it out!</p>
<p><a href="http://www.alicerussell.com/">http://www.alicerussell.com/</a></p>]]></content></entry><entry><title>A Week Of Norovirus, Bed, And Missing Out On Cheltenham...</title><id>http://www.jazzshaped.com/blog/2013/5/6/a-week-of-norovirus-bed-and-missing-out-on-cheltenham.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/5/6/a-week-of-norovirus-bed-and-missing-out-on-cheltenham.html"/><author><name>Josh Jennings</name></author><published>2013-05-06T16:18:36Z</published><updated>2013-05-06T16:18:36Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.jazzshaped.com/storage/BI2rvoWCEAImVL1.jpg-large.jpg?__SQUARESPACE_CACHEVERSION=1367857986502" alt="" /></span></span>When I started this blog in 2011 one of my founding ambitions was to attend a major event as press; live-blogging, reviewing, perhaps even aiding in organization, anything would have suited me... and what better place to set my sights than the UK's primary genre event <em>Cheltenham Jazz Festival</em>. In retrospect this was not an overly lofty goal to harbour, but one that a 19 year old music student sat in a lowly Leeds dormitory with no prior industry experience would have settled for. How cruel a twist then that the very day after my first ever Cheltenham press pack came clunking blissfully through the door I started to feel a bit queasy...What persued was a week of relentless sickness that rendered me bed-bound, my Cheltenham pass useless and the blog incapacitated.</p>
<p>Disappointed as I am to have missed out on what would arguably have been the most exciting event I've ever had the privilege of attending for the blog (I had tickets for Ravi Coltrane and Dave Douglas amongst others) I must concede that I rarely struggle to extract at least some slither of positivy from a week in bed... although I'm glad to be back to health.</p>
<p>Consider this a formal statement of JazzShaped's restart.&nbsp;Sorry I've been away!</p>]]></content></entry><entry><title>The Ambient New Excursion From Stuart McCallum</title><id>http://www.jazzshaped.com/blog/2013/4/24/the-ambient-new-excursion-from-stuart-mccallum.html</id><link rel="alternate" type="text/html" href="http://www.jazzshaped.com/blog/2013/4/24/the-ambient-new-excursion-from-stuart-mccallum.html"/><author><name>Josh Jennings</name></author><published>2013-04-24T21:38:32Z</published><updated>2013-04-24T21:38:32Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F86364502"></iframe></p>
<p>Manchester based guitarist Stuart McCallum has always struck me as a relatively polarising figure within the world of modern jazz music. His ambient, downbeat sound could easily be dismissed as having no bearing towards the genre at all, and there will no doubt be traditionalists who subscribe to such a viewpoint...but I don't have time for traditionalists on this blog. Regardless of what the 'Cinematic Orchestra' members music is or isn't labelled, it carries with it an undoubted ethereal quality common amongst the current crop of Manchester based musicians on the circuit (Matthew Halsall, Nat Birchall, Gogo Penguin etc) and McCallum's music undoubtedly pushes the boundaries as to what jazz is developing into further than most.</p>
<p>His latest release comes in the form of a free track commissioned by the British Council who asked the genre defying musician to compose a piece for the Japanese 'Roppongi Art Night Festival'. McCallum created <em>The Seventh Tree, </em>a piece<em>&nbsp;</em>referring &nbsp;to the growth and destruction of the country's&nbsp;Roppongi district which was reputedly built around six tree's, all of which have now been destroyed.</p>
<p><a href="http://stuartmccallum.com/">http://stuartmccallum.com/</a></p>]]></content></entry></feed>