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Welcome To 'Jazz Shaped', a UK based blog endeavouring to explore the vibrant British jazz scene and the superb musicians that it encompasses.

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Tuesday
May212013

3 Days To Go On The 'Led Bib' Kickstarter Campaign!

With days to go on their quest to raise enough funds to record, produce and promote their 10th anniversary record, I caught up with 'Led Bib's' drummer and founding member Mark Holub to discuss the new album, photo shoots and the band that has shaped the last ten years of his life. (Support the new record here)

Ten years of Led Bib is a fantastic achievement, how do you feel the band has progressed over this time?

It's hard to believe that it really has been 10 years....I sort of feel like I am making it up, but as our first gig was on my birthday(!), I am pretty positive it's the truth. For me, the band has progressed loads since it started. I think in some way it's not so audible from record to record, the changes there are maybe smaller....incremental, but if you listen to our first record 'Arboretum' and our latest 'Bring Your Own', they sound pretty far apart. That said though, I do feel from the beginning there was something that was the distinctive sound of band, although that has obviously developed.

I think a lot of the development has been from the other guys in the band. It sort of feels now looking back like, 10 years ago I brought them all a concept of what I wanted to do, and I tried to fit them all into what that concept was. Gradually, I let them be freer to be themselves and they were able to find their own way to fit into that overall concept, which ended up sort of changing the original concept and making it something better! I think having the guys so on board with Led Bib is what makes it special, and means that we can somehow find a link between some members interest in free improv, others in soul or interests in whatever and create a group sound out of it.

You've attempted to fund your new album via a Kick-starter campaign, something that has increased in popularity as the 'standard' music industry model is remoulded. Why did you feel that this was the best way to go about acquiring the necessary financial support as apposed to a more traditional self or label funded excursion?

I think Kickstarter and the other similar sites are doing something really interesting, particularly for jazz. Most bands producing this kind of music aren't really making any money out of recording, it's about documenting a certain time in the band's history, but also about having something to tour on the back of.

So, it's an interesting way to fund something which is an important thing to do, but essentially is not much of, or not at all an earner. But, more importantly I think, it's a new way to relate to fans of the music, instead of just offering them a concert and a CD you are offering them a piece of yourself or a window into the way your work, and they are offering up their support for something which is yet to be created which makes it a closer relationship and is a nice way to interact with fans of the music.

What can we expect from the new record?

Well, with so much improvising, it's sort of hard to say obviously....but, we have been touring a lot of the new material for awhile now, so anyone who has seen us in the last year or so will have an idea of what the new stuff sounds like. This album will also be the first album to have a track by Liran on it!

It's hard to say exactly when you are deep into actually making something, but I think recently our music has had more of a searching quality, less darting from thing to thing as it sometimes has in the past, but what may end up on the record is yet to be seen!

The prospect of a limited edition vinyl to be released alongside the album sounds fantastic for fans! Can you tell us any more about your plans for that? Numbers you're planning on producing, what it will involve etc?

The live vinyl was sort of recorded by chance. We were playing a short residency at the Vortex Club in February and the soundman on hand was recording the opening band and said he would be happy to also record the Led Bib set. We really enjoyed playing the gig and were really pleased when we listening back to the recording. So, we thought....we need to do something with this, which is actually when the idea of the kickstarter and everything was born! We actually aren't 100% positive which tracks will make it on the album as we like quite a few of them, and we haven't mixed anything, but it's likely to be 4 tracks I think(they are pretty long).

As for numbers of actual records, I think we will make 500, and they will all come with a download code, where you can download lossless formats as well as mp3 and things. People have been asking us about making a vinyl for years, and we are really excited to finally be doing it.

And finally... any plans for a quintessentially quirky Led Bib photo shoot to accompany the album? (I'm pretty sure this would drive pledges)

Not really yet. I had thought about possibly a fishing trip theme, but I think it may end up difficult to do logistically. Often I come up with some idea for the pictures and then am met with the reality of actually trying to do it and it turns our quite different. I mean, with the last one I wanted to do a British colonial thing in the desert, with a whole tea service, but it obviously was difficult to find a desert in Walthamstow, and I knew a friend who had a bear costume, so we sort of went with that....we will see.

Mark also wished to add...

While we obviously have been going for 10 years because we love making music together, it's really the fact that there are people to listen to us that makes it all worthwhile. Doing strings of gigs for little money can become a bit disheartening, but it only takes one gig with a nice audience and someone saying, hey your music is really special, to make you realise what you do it for. So, I want to thank all the people who have supported us over these 10 years, be that by coming to our gigs, buying our albums or by being our wives/girlfriends and have to put up with us moaning about each other, constantly doing inside jokes and generally being nuisances. We hope to see all of you out on the road in 2014!

Tuesday
May142013

The 21st Century RadioHead's Giving Jazz A Voice On Mainstream Airwaves

 BBC 6 Music is one of those media outlets that I could not live without; a champion of independent music and a bastion for the elements of popular culture that I relate to, it's schedule is full of absorbing voices with interesting anecdotes discussing the songs of our time. For those who have never listened, perhaps my favourite element of the station's character is it's inherent ethic that music is to be talked about with interest and intrigue, rather than as a trend based commodity that merely reflects current consumer interest. It is no surprise then that jazz finds it's place amongst the masses at this most eclectic of establishments, in fact genre-specific shows or specialist features can often feature jazz in some capacity, but it is the DJ's that incorporate the genre amongst more commercially viable or on trend 21st century sounds that I find most important.

So being sure to tiptoe carefully along the edge of that teeth grinding chasm of sycophancy which, lets face it, none of us want me to slip into, I've picked out my favourite 2 shows from the stations schedule based on their stances on jazz and what they bring to the genre:

Gilles Peterson - Saturday @ 15:00

With Gilles Peterson's 6 Music show music discovery is not just an added incentive... it's a guaranteed byproduct. The ex radio one presenter and label owner is an endless source of the latest and most exciting sounds from the circuit, blending them expertly amongst a cacophony of other styles and sounds. This show is, for me, a driving force in consolidating a sense of identity within the contemporary UK jazz scene, all the front-runners get played; 'Portico Quartet', 'Melt Yourself Down', Matthew Halsall... I could go on.  

Cerys Matthews - Sunday @ 10:00

The 2013 Sony Gold winner is less likely to drop a contorted contemporary excursion, and at 10am on a Sunday morning she probably wouldn't have a job if she did, but what her show lacks in cutting edge jazz it more than rectifies in solid song choices. Matthews seems just as at home with a grainy blues track from Big Bill Broozy as she is with an upbeat offering from Senegalese ensemble 'Orchestra Baobob'. Cerys' show also offers a great window for musical discovery, more likely a gem from the past that has evaded you.

Sunday
May122013

The Folk Inspired New Excursion From Kairos 4tet Featuring Omar

Throughout their existence Adam Waldmann's Kairos 4tet have cemented their place as one of the front runners in an emerging wave of young British jazz talent. Having received an impressive selection of accolades across two albums, including a 2011 MOBO Award for 'Best Jazz Artist' and a number 2 spot in MOJO Magazine's 'Jazz Abums Of The Year', it is safe to say that the ensemble's characteristically melodic style has proven popular amongst fans of the genre.

2013 sees the band return to the circuit with their recently released track Songs For The Open Road, which features as part of an announcement detailing live dates as well as an upcoming album. The song is a gentle, folk-esque excursion and blends the voices of prominent soul star Omar and London based jazz singer Emilia Martensson over an unmistakably 'Kairos' backing. There are strong suggestions throughout that the new album may signal a noticeable progression in the bands sound; compositionally mature jazz with traces of British folk and soul interspersed...definitely one to look forward to!

The New record Everything We Hold will be released on Naim Jazz on the 10th June.

http://www.kairos4tet.com

Wednesday
May082013

Alice Russell: 21st Century Soul

 

The stylistic development of music over time is a strange phenomenon; as public trends and tastes change generationally it is safe to speculate that there will always be hunger for new musical movements as previous vogues, linked to past years, fade. This most 'Black and white' form of development is fine for the 1% of pioneers that get the opportunity to spearhead a new musical subculture (punk, dubstep, synth-pop) but what about the other 99% of musicians who's influences are reflected in their work more transparently? In fact, could it not be reasonably assumed that the toughest form of musical innovation is the task of modernising music from a bygone era in an attempt to make it relatable for an entirely new generation... To an older demographic you run the risk of never living up to 'The greats' and to any younger element of society your sound could instantly be deemed 'Out of date'. Even more daunting, providing you agree with me so far, is the fact that the more historically significant the genre you are trying to modernise, the harder the task. Therefore, last week when I heard the latest record from UK soul vocalist Alice Russell, a record of new British soul, I was instantly intrigued.

To Dust is the singer's fourth studio release and sees her meander stylishly through a series of well crafted 21st century-soul bangers! With song writing stylistically reminiscent of the 1960's and a polarising production ethic as fresh as anything you're likely to hear in the top 40, To Dust brings with it a real sense of revitalisation for British soul. Russell's involvement in modern remix culture is conveyed smartly through the use of rigidly processed samples, whilst her inherent penchant for a 'distilled' classic song means that the record is full of powerful melodies and strong musicianship. Perhaps the thing that I like most about this album is it's sense of authenticity, it's unique approach to a classic genre defines it as a body of work which doesn't just attempt to breathe new life into an old style... it carves out a new direction for British soul.

Check it out!

http://www.alicerussell.com/

Monday
May062013

A Week Of Norovirus, Bed, And Missing Out On Cheltenham...

When I started this blog in 2011 one of my founding ambitions was to attend a major event as press; live-blogging, reviewing, perhaps even aiding in organization, anything would have suited me... and what better place to set my sights than the UK's primary genre event Cheltenham Jazz Festival. In retrospect this was not an overly lofty goal to harbour, but one that a 19 year old music student sat in a lowly Leeds dormitory with no prior industry experience would have settled for. How cruel a twist then that the very day after my first ever Cheltenham press pack came clunking blissfully through the door I started to feel a bit queasy...What persued was a week of relentless sickness that rendered me bed-bound, my Cheltenham pass useless and the blog incapacitated.

Disappointed as I am to have missed out on what would arguably have been the most exciting event I've ever had the privilege of attending for the blog (I had tickets for Ravi Coltrane and Dave Douglas amongst others) I must concede that I rarely struggle to extract at least some slither of positivy from a week in bed... although I'm glad to be back to health.

Consider this a formal statement of JazzShaped's restart. Sorry I've been away!